Tag Archives: police

To Talk, Or Not To Talk… There really is no question.


You’ve bought your pricey movie ticket and you’re walking into a large room with stadium seating facing a massive white screen. You are jumping with excitement on the inside because you’ve been waiting to see this seemingly perfect movie for months and the moment has finally arrived. You eye your favourite seat, which is available, because the genius that you are, arrived extra early to dominate that perfect spot. The auditorium fills to capacity and you are minutes away from experiencing the film you’ve been lusting after for weeks.

The long, painful wait is over and the feature starts. The brilliant plot is slowly revealed and the dialogue is intensely intriguing. Two of the main characters are having a gripping conversation, but there’s a couple in front of you talking loudly and you’re momentarily distracted. You look back up at the screen in anger and the on-screen conversation is over. It takes a minute or two, but you manage to calm down and sink back into the imaginary world before you.

Ten minutes later, you’re right back into the heat of the movie and things are bubbling with excitement. There’s a shocking revelation about the man with the green hat and the crowd gasps. He starts describing his incredible predicament and Lady Gaga is blaring along with him… Wait, that’s not right, no it’s someone’s cell phone going off. Everyone in the theatre turns to face the jerk whose Blackberry is ringing and in complete astonishment to everyone else, he picks it up. The nerve of this guy! He talks as if he’s at home and people begin yelling at him to shut the phone off and keep his stinking trap zipped.

By now, the scene is over and most have missed the deep plot point. It takes you about five minutes to cool down because you’re baffled by the inconsiderate monkey who was talking on his phone. You’re just about to try and dive back into what’s left of the film and a teenage girl two rows in front of you is texting on her large and super bright iPhone. At this point, your attention is so far removed from the movie that you just cannot re-focus your energy into it. You spend the remainder of the feature just riding along without truly being invested in what’s taking place and brooding over the inconsiderate pricks that have ruined your long anticipated treat.

This is what talking, using your cell phone, and providing an uninvited distraction during a movie will result in. We’re living in an age where inconsideration has become common practice in movie theatres. Most of these self-centred delinquents fail to realize that we have not spent our hard earned money to listen to them talk, be entertained by their cell phones, or listen to their babies howl. We’ve invested our money in a well-deserved two hour distraction provided by Hollywood filmmakers. If chatting with someone takes precedent over the movie going experience, stay home or go somewhere more conducive to your needs, might I suggest an overpriced coffee shop?

The question is: Who should be responsible for keeping the silence in the cinema? Studios are desperately trying to get people back into theatres as ticket sales are dropping. 3D has helped a great deal, but people are becoming weary of paying extra to deal with the yahoos who disrupt their experience. The amount of tickets being sold has declined. Evidence for this trend can easily be found on sites like BoxOfficeMojo.com or The-Numbers.com by looking at the adjusted for inflation movie grosses. Of the top 50 films of all time, only 5 were made in the last 12 years.

If studios and cinemas want to bring back the audience, perhaps enforcing their pitiful pre-show warnings to turn off cell phones and keep quiet would be of greater effect.

Or why not issue movie going licences. Every time someone is caught disrupting a movie, they receive a demerit point. Once you’ve lost enough points (3 should be the maximum!), you lose your movie theatre privileges for a month or more. Continue acting the fool and you’ll be banned for life. This would definitely weed out the ignorant, self-centred wankers who just don’t get the message.

At least we can dream….

For now, I’ll have to stick to my home theatre, which may not have as large a screen as the cinema, but at least I’m able to enjoy my movies in uninterrupted silence foregoing the need to suffocate someone with a bag of popcorn.


21 Jump Street: Comedy around every corner

Channing Tatum and Jonah Hill star in 21 Jump Street. Courtesy of Sony Pictures


Twenty-five years ago, Johnny Depp was catapulted from unknown actor to teen-heartthrob when he landed a role on 21 Jump Street. Now, he takes on a cameo role in the 2012 comedic adaptation which borders heavily on parody – Not that parody is a bad thing.

Jonah Hill (Superbad, Knocked Up) and Channing Tatum (Step Up, The Vow) star as a couple of misfit cops, who due to their youthful looks are resigned to a high school undercover investigation.

The chemistry between Jonah Hill and Channing Tatum is solid and their comedic timing is on point. Tatum (surprisingly) kept up with Hill every step of the way. In fact, everyone seemed well cast, particularly Brie Larson, who delivered a very natural performance that could have been construed as corny in the wrong hands.

The success of this movie lies in the mere celebration of its ridiculousness. Michael Bacall’s script balances the parody of cop/action genre clichés with a great deal of original humor.

Let’s not forget the directors. With only the animated feature Cloudy with a Chance of Meatballs under their belt, Phil Lord and Chris Miller show they can successfully handle live action.

Remarkably, this unexpected comedy finds balance in every aspect of production. From the humor to the action, and even the minute level of emotional drama, you just can’t help being sucked into this one.

Bottom Line: Expect the unexpected and enjoy the plentiful laughs this movie serves.

Grade B+

Runtime: 109 minutes
IMAX: No
3D: No


Chatting with Amy Price-Francis about the DVD release of King – Season 1

Amy Price Francis stars as Jessica King in the hit TV show, King. Season 1 available on DVD March 6th. Entertainment One


Amy Price-Francis moved with her family from England to Canada when she was 7 years old. Growing up in our very own York Region, Amy attended Unionville high school and later was accepted at the National Theatre School of Canada.

After landing roles in many of television’s most popular shows, including Grey’s Anatomy, 24, Nip/Tuck, The Cleaner, Criminal Minds, and Californiacation, to name a few, Amy now stars in the crime drama, King. In this relatively new show, Amy plays Jessica King, a homicide detective who has a knack for finding the finer details that are often overlooked. This new witty, interesting drama takes place in our very own Toronto, Ontario showcases our beautiful city and our law enforcement.

I got a chance to sit down and ask Amy a few questions about her career and the release of King – Season 1.

You’ve appeared in so many hit shows, which is remarkable. Could you describe your experience on these blockbusters?

It was phenomenal. What struck me immediately was the amount of money going around. Those shows obviously make an insane amount of money and cost a lot to make too. With a lot more money comes more luxuries and a lot more time. In the end, I don’t think that’s necessary for me to do my job. It was definitely a pleasant experience and I got to work with some remarkable actors.

Where do you currently live?

I’m back and forth between Toronto and L.A. Currently I’m in Toronto shooting the second season of the show [King], but I do have a place in L.A. I’m very lucky to be able to work in both places.

Did you have to do any training for your role as Jessica King?

The cast has been very fortunate in both seasons of the show with the police schooling, which took us through the various procedures of assessing a crime scene or murder, and even gun training and shooting. I mean, it’s not like in the big American movies where they go to police school for 8 months, but we did receive training. We even have retired police officers that keep us informed and guide us along the way.

What is it like shooting a strong Canadian show that takes place in Toronto?

It’s wonderful. Toronto has become its own character in our show. It looks great and we get to showcase the city much more in the second season. We’re playing local people and we are shooting at recognizable locations.

A little fun question for you, and be honest now: Which of your co-stars do you love working with and which one would you love to give a left hook?

[She laughs] … Oh my god. In all honesty, there’s nobody I’d want to give a left hook to, but I would love to hear how anyone else would answer.

There’s a lot of hugging and laughing. It really is a love-fest around the set and I feel very lucky to work with such a tremendous group of people. It feels like a big family behind “the little show that could” and we’re all really proud of it.

I think you should be. There’s great production value, good humor and a solid sense of family in the show.

I’m glad you perceived that!

What kind of fun do you have the set?

Alan Van Sprang, who plays Spears, is one of the funniest people I’ve ever met and he brings out the best and worst humor from me. Sometimes it’s inappropriate, but he keeps everyone up and lively. In the end, it doesn’t get much cooler than getting to play for a living.

How do you feel about King – Season 1 being released in stores on Monday March 6th?

I think it’s FANTASTIC! It’s a sign of success, I think. I haven’t actually seen all the episodes from season 1, so maybe I can get my hands on the show and I can watch it [Laughs].

Season 1 of King hits stores on March 6th and features all eight episodes. It also includes an interesting 7 and a half minute “Behind-The-Camera Featurette” that gives insight on the making of the show and its characters from the cast and crew.

You can also catch Season 2 episodes of King Wednesdays at 9pm EST.

DVD Specificaations:
Aspect Ratio: 1.78:1
Audio: English and French Dolby Digital 5.1
Caption: English SDH
Total runtime: Approx. 360 minutes


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